预订图书Five Centuries of British Painting:From Holbein to Hodgkin mobi 下载 网盘 caj lrf pdf txt 阿里云

Britain has played a key role in the history of the last five centuries, and its art reflects this in absorbing but complex ways. At first, foreign artists and influences were dominant - for example, Holbein, Van Dyck, Lely and Kneller. In the century of Hogarth, Reynolds and Gainsborough, British painting reflected an increasingly confident society, propelled by Imperialist expansion and industrial advance. Constable and Turner were among many pioneers in the artistic revolutions of the Romantic period, when British influence extended across Europe. The Victorian age saw the moral dilemmas, reflected in art, of Christian values challenged by science. A consistent undercurrent has been Britain's preference for the real world (landscape and portraiture) as against "high" art and abstraction. This is a survey of the personalities of British painting and an assessment of the latest flowering in which many threads of modern art come together.

暂无相关目录，正在全力查找中！

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：预订图书Five Centuries of British Painting:From Holbein to Hodgkin在线阅读

在线听书地址：预订图书Five Centuries of British Painting:From Holbein to Hodgkin在线收听

在线购买地址：预订图书Five Centuries of British Painting:From Holbein to Hodgkin在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

Britain has played a key role in the history of the last five centuries, and its art reflects this in absorbing but complex ways. At first, foreign artists and influences were dominant - for example, Holbein, Van Dyck, Lely and Kneller. In the century of Hogarth, Reynolds and Gainsborough, British painting reflected an increasingly confident society, propelled by Imperialist expansion and industrial advance. Constable and Turner were among many pioneers in the artistic revolutions of the Romantic period, when British influence extended across Europe. The Victorian age saw the moral dilemmas, reflected in art, of Christian values challenged by science. A consistent undercurrent has been Britain's preference for the real world (landscape and portraiture) as against "high" art and abstraction. This is a survey of the personalities of British painting and an assessment of the latest flowering in which many threads of modern art come together.