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　　In the years approaching the centenary of Mahler's death, this

book provides both summation of, and starting point for, an

assessment and reassessment of the composer's output and creative

activity. Authored by a collection of leading specialists in Mahler

scholarship, its opening chapters place the composer in

socio-political and cultural contexts, and discuss his work in

light of developments in the aesthetics of musical meaning. Part II

examines from a variety of analytical, interpretative and critical

standpoints the complete range of his output, from early student

works and unfinished fragments to the sketches and performing

versions of the Tenth Symphony. Part III evaluates Mahler's role as

interpreter of his own and other composers' works during his

lifelong career as operatic and orchestral conductor. Part IV

addresses Mahler's fluctuating reception history from scholarly,

journalistic, creative, public and commercial perspectives, with

special attention being paid to his compositional legacy.

· Comprehensive coverage of Mahler's works, providing the reader

with a balanced overview · Includes a discography and a detailed

chronology · Chapters consider Mahler in the context of surrounding

cultural and political events

List of plates page vii

List of tables and figures viii

List of music examples ix

Notes on contributors xi

Acknowledgments xiv

Chronology xv

List of abbreviations xxiv

Introduction: Marginalia on Mahler today

Jeremy Barham 1

PART ONE  Cultural contexts 5

　1 Socio-political landscapes: reception and biography

　　Peter Franklin 7

　2 The literary and philosophical worlds of Gustav Mahler

　　Morten Solvik 21

　3 Music and aesthetics: the programmatic issue

　　Vera Micznik 35

PART TWO  Mahler the creative musician 49

　4 Juvenilia and early works: from the first song fragments to Das

klagende Lied

　　Jeremy Barham 51

　5 Song and symphony (I). Lieder und Ges?nge Volume 1, Lieder eines

fahrenden Gesellen and the First Symphony: compositional patterns

for the future

　　Zoltan Roman 72

　6 Song and song-symphony (I). Des Knaben Wunderhorn and the

Second, Third and Fourth Symphonies: music of heaven and

earth

　　Peter Revers 89

　7 Song and symphony (II). From Wunderhorn to Rückert and the

middle-period symphonies: vocal and instrumental works for a new

century

　　Stephen E. Hefling 108

　8 The ‘greatest’ and the ‘most personal’: the Eighth Symphony and

Das Lied von der Erde

　　Christian Wildhagen 128

　9 The last works

　　J?rg Rothkamm 143

PART THREE  Mahler the re-creative musician 163

　10 Mahler as conductor in the opera house and concert hall

　　Herta Blaukopf 165

　11 Arrangements and Retuschen: Mahler and Werktreue

　　David Pickett 178

PART FOUR  Reception and performance 201

　12 Issues in Mahler reception: historicism and misreadings after

1960

　　Christoph Metzger 203

　13 The history of the International Gustav Mahler Society in

Vienna and the Complete Critical Edition

　　Reinhold Kubik 217

　14 Musical languages of love and death: Mahler’s compositional

legacy

　　Stephen Downes 226

　15 Mahler conducted and recorded: from the concert hall to

DVD

　　Lewis M. Smoley 243

　16 New research paths in criticism, analysis and

interpretation

　　John Williamson 262

Appendix: selected discography 275

Notes 294

Bibliography 319

Index

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