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This book offers the first full-length study of philosophical

dialogue during the English Enlightenment. It explains why

important philosophers - Shaftesbury, Mandeville, Berkeley and Hume

- and innumerable minor translators, imitators and critics wrote in

and about dialogue during the eighteenth century; and why, after

Hume, philosophical dialogue either falls out of use or undergoes

radical transformation. Philosophical Dialogue in the British

Enlightenment describes the extended, heavily coded, and often

belligerent debate about the nature and proper management of

dialogue; and it shows how the writing of philosophical fictions

relates to the rise of the novel and the emergence of philosophical

aesthetics. Novelists such as Fielding, Sterne, Johnson and Austen

are placed in a philosophical context, and philosophers of the

empiricist tradition in the context of English literary

history.

Introduction: dialogue and Enlightenment

Part I. Strains of Enlightenment:

1. Shaftesbury's characteristic genres: concepts of criticism in

the early eighteenth century

2. Shaftesbury's The Moralists: a dialogue upon dialogue

3. Berkeley and the paradoxes of empiricism: A Treatise concerning

the Principles of Human Knowledge and Three Dialogues between Hylas

and Philonous

4. Berkeley's Alciphron, or the Christian Cicero

5. Hume and the end of religious dialogue: Dialogues concerning

Natural Religion

Part II. Dialogue, aesthetics and the novel:

6. The Platonic revival: 1740–1770

7. Anti-Platonism and the novelistic character

8. Dead conversations: Richard Hurd's late poetics of

dialogue

9. Utopia or conversation: transforming dialogue in Johnson and

Austen

Epilogue: some dialectics of Enlightenment

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New insight into the rise of the novel and the development of

moral philosophy by showing the connections between the two ? First

full-length study of philosophical dialogue during the English

Enlightenment ? Broadens our understanding of Enlightenment

literature, philosophy and culture