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Love's Labour's Lost, the first work to bear Shakespeare's name

on its title page, differs greatly from his other early plays both

for its highly unorthodox ending and its extraordinary use of

language. This new edition presents a highly readable, modernised

text of the play, freshly edited from the first quarto published in

1598. A thorough but concise scholarly and critical commentary

provides exciting new perspectives on Love's Labour's Lost, and a

comprehensive introduction discusses the significant elements of

the play and its place in theatrical history. New critical trends

are reflected in the special attention paid to the play's

performance history since 1950, including films and adaptations,

with illustrations of several productions. Engaging and

illuminating, this will be an invaluable guide for seasoned

scholars as well as students approaching the play for the first

time.

List of illustrations page

Acknowledgements

List of abbreviations and conventions

Introduction

   Approaches to the play

      Male friendship and heterosexual

desire

      Women, property, vision

      Language

      Representations of the court

      Stagecraft: three metadramatic

scenes

      The ending

   Date and occasion

   Sources and historical contexts

      The French Academy and humanist

thought

      The School of Night

      Sidney, Lyly, and the literary scene

of the 1590s

   Early history to 1632

      Publication, performance, and

appropriation

      Love’s Labour’s Won

      The Passionate Pilgrim and England’s

Helicon

   Performance and appropriation, 1632 to the

present

Note on the text

List of characters

THE PLAY

Supplementary notes

Textual analysis

Appendix 1

Appendix 2

Appendix 3

Appendix 4

Reading list

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书籍介绍

Love's Labour's Lost, the first work to bear Shakespeare's name on its title page, differs greatly from his other early plays both for its highly unorthodox ending and its extraordinary use of language. This new edition presents a highly readable, modernised text of the play, freshly edited from the first quarto published in 1598. A thorough but concise scholarly and critical commentary provides exciting new perspectives on Love's Labour's Lost, and a comprehensive introduction discusses the significant elements of the play and its place in theatrical history. New critical trends are reflected in the special attention paid to the play's performance history since 1950, including films and adaptations, with illustrations of several productions. Engaging and illuminating, this will be an invaluable guide for seasoned scholars as well as students approaching the play for the first time.