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An outsider is allowed into the labyrinth to watch a Microsoft multimedia project from conception to partial completion. If you are interested in understanding Microsoft's strengths--and weaknesses--breaking into new markets, this is a must-read book. --This text refers to an out of print or unavailable edition of this title.

Freelance writer Moody spent the year from December 1992 through December 1993 with six members of a Microsoft unit that was developing a children's multimedia reference product named Sendak. As he was given virtually unlimited access to the group, Moody is able to present a week-by-week account of the trials and tribulations of each team member as they try to make Sendak a viable product. In describing the inner workings of Microsoft, Moody reveals a company not immune to the corporate politics and personality conflicts that afflict huge companies, but one that nevertheless is willing to push the boundaries of technology, driven by chairman Bill Gates's obsession with staying ahead of the competition. Indeed, Moody's accounts of meetings with Gates are compelling. A fast-paced read that does not get bogged down in technical jargon, the book suffers from one flaw: Sendak was far from finished when Moody's year with Microsoft was up, so he describes its completion and launch?the product was shipped in November 1994 under the name Explorapedia?in relatively few pages. 50,000 first printing.

In Lieu of a Glossary

Acknowledgments

Introduction

December 17, 1992

The Encarta Years

"I Have a Bill Meeting!"

January 7, 1993

Digitizing the Soul

The Big Picture

Addressing the Chair

Out from Under the Shadow of February 23

Hacking

In Which the Author Comes Up for Air

Fear and Trembling

Salish

"So Where Are We Now?"

The X/Y Gridlock

Beyond the Mid-June Milestone

Autumn Light

"Are You Afraid? Are You Scared?"

Aftermath

Postmortem

Index

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“It holds true as well in music, wherein it is a great mistake to place two perfect consonances one after another, for our sense of hearing abhors this, whereas it often enjoys a second or a seventh which in itself is a harsh and unbearable discord. And this is due to the fact that to continue in perfect consonances generates satiety and gives evidence of a too affected harmony, which is avoided when imperfect consonances are mixed in, establishing a kind of comparison, by which our ears are held in greater suspense, and more avidly wait upon and enjoy the perfect consonances, delighting in that discord of the second or seventh as in something that shows nonchalance.”

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