Hermit In Paris(ISBN=9780375714269) mobi 下载 网盘 caj lrf pdf txt 阿里云

　　From one of modern literature’s most captivating and elusive

masters comes a posthumous volume of thoughtful, elegant, and

quick-witted autobiographical writings, all previously unpublished

in English. Here is Italo Calvino paying homage to his literary

influences and tracing the evolution of his signature style. Here

are his reminiscences of Italy’s antifascist resistance and the

frenzy of politics and ideas of the postwar era.

The longest and most delightfully revealing section of the book

is Calvino’s diary of his travels in the United States in 1959 and

1960, which show him marveling at color TV, wrinkling his nose at

the Beats, and reeling at the outpouring of racial hatred attending

a civil rights demonstration in Alabama. Overflowing with insight

and amusement, Hermit in Paris is an invaluable addition to the

Calvino legacy.

Stranger in Turin

The Writer and the City

Questionnaire, 1956

American Diary 1959-1960

The Cloven Communist

Political Autobiography of a Young Man

A Letter in Two Versions

Objective Biographical Notice

Hermit in Paris

Where I Was on 25th April 1945

Dialect

The Situation in 1978

Was I a Stalinist Too？

The Summer of '56      

The Duce's Portraits

Behind the Sticcess

I Would Like to Be Mercutio……

My City Is New York

Interview with Maria Corti

　　Italo Calvino (1923—1985) was born in Cuba and grew up in San

Remo, Italy. He was a member of the partisan movement during the

German occupation of northern Italy in World War II. The novel that

resulted from that experience, published in English as The Path

to the Nest of Spiders, won widespread acclaim. His other works

of fiction include The Baron in the Trees, The

Castle of Crossed Destinies, Cosmicomics,

Difficult Loves, If on a Winter’s Night a

Traveler, Invisible Cities,

Marcovaldo, Mr. Palomar, The

Nonexistent Knight & the Cloven Viscount, t

zero, Under the Jaguar Sun, The Watcher

and Other Stories, and Numbers in the

Dark. His works of nonfiction include include The

Road to San Giovanni and Six Memos for the Next

Millennium.

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我对任何唾手可得、快速、出自本能、即兴、含混的事物没有信心。我相信缓慢、平和、细水长流的力量，踏实、冷静。我不相信缺乏自律精神、不自我建设、不努力就可以得到个人或集体的解放

Perhaps politics remain tied in my experience to that extreme situation: a sense of inflexible necessity and the search for the different and the multiple in a rigid world. So I conclude by saying: if I have been (though very much in my own way) a Stalinist, this was not by chance. There are elements that are characterize that epoch, which are part of me: ［I don't believe in anything that is easy, quick, spontaneous, improvised, rough and ready. I believe in the strength of what is slow, calm, obstinate, devoid of fanaticisms and enthusiasms. I do not believe in any liberation either individual or collective that can be obtained without the cost of self-discipline, of self-construction, of effort.］ If this way of thinking seems to some people Stalinist, well all right, I will have no diffi...

......而追求和谐的欲望来自于对内心挣扎的认知.不过偶然事件的和谐幻象是自欺欺人，所以要到其他层面寻找.就这样我走向了宇宙.但这个宇宙是不存在的,纵使就科学角度而言.那只是无关个人意识，超越所有人类本位主义排他性，期望达到非拟人观点的一个境域.在这个升空过程中,我既无惊惶失措的快感，也未曾冥思.反倒兴起一股对宇宙万物的使命感。我们是以亚原子或前银河系为比例的星系中的一环:我深信不移的是,承先启后是我们行动和思想的责任.我希望由那些片段的组合,亦即我的作品,感受到的是这个.

在巴黎你永远有希望找回你以为失去的，找回过去，重归己有。

失物招领室。

这个城市引诱你收集所有东西，囤积分类重新分配，像在考古现场一般在这里寻寻觅觅。属于收集者的城市，同时可以是一次存在的冒险，借物研究自己，勘测世界并且自我实现。

不编织无谓的浪漫情怀，对自己的工作全心投入，天性害羞的不信任，积极参与广阔世界游走其中不故步自封的坚定，嘲讽的人生观，清澄和理性的智慧

媒体评论

　　“Surprising, tart, and distinctive, like [Calvino] himself.” –

The Philadelphia Inquirer

　　“A book that any Calvino lover will want to purchase, pronto!”

–The Seattle Times

　　“Distinguished by a sly philosophic humour. . . . a sensuous

immediacy of detail and a droll wit. . . . a magnificent addition

to the Planet Calvino.” – The Guardian

书籍介绍

From one of modern literature’s most captivating and elusive masters comes a posthumous volume of thoughtful, elegant, and quick-witted autobiographical writings, all previously unpublished in English. Here is Italo Calvino paying homage to his literary influences and tracing the evolution of his signature style. Here are his reminiscences of Italy’s antifascist resistance and the frenzy of politics and ideas of the postwar era.

The longest and most delightfully revealing section of the book is Calvino’s diary of his travels in the United States in 1959 and 1960, which show him marveling at color TV, wrinkling his nose at the Beats, and reeling at the outpouring of racial hatred attending a civil rights demonstration in Alabama. Overflowing with insight and amusement, Hermit in Paris is an invaluable addition to the Calvino legacy.