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　　Musicians are always quick to adopt and explore new

technologies. The fast-paced changes wrought by electrification,

from the microphone via the analogue synthesiser to the laptop

computer, have led to a wide diversity of new musical styles and

techniques. Electronic music has grown to a broad field of

investigation, taking in historical movements such as musique

concrète and elektronische musik, and contemporary trends such as

electronic dance music and electronica. A fascinating array of

composers and inventors have contributed to a diverse set of

technologies, practices and music. This book brings together some

novel threads through this scene, from the viewpoint of researchers

at the forefront of the sonic explorations empowered by electronic

technology. The chapters provide accessible and insightful

overviews of core topic areas and uncover some hitherto less

publicised corners of worldwide movements. Recent areas of intense

activity such as audiovisuals, live electronic music, interactivity

and network music are actively promoted.

List of illustrations and figures

Notes on contributors

Acknowledgements

Chronology

Introduction Nick Collins and Julio d'Escriván

Part I. Electronic Music in Context:

　1. The origins of electronic music Andrew Hugill

　2. Electronic music and the studio Margaret Schedel

　3. Live electronic music Nicolas Collins

　4. A history of programming and music Ge Wang

　Artists' Statements I:

　　Laurie Spiegel

　　Yasunao Tone

　　John Oswald

　　Mathias Gmachl (Farmer's Manual)

　　Erdem Helvacioglu

　　Pauline Oliveros

　　Chris Jeffs

　　Rodrigo Sigal

　　Mira Calix

　　Denis Smalley

　　Seong-Ah Shin

　　Carsten Nicolai

　　Warren Burt

　　Max Mathews

Part II. Electronic Music in Practice:

　5. Interactivity and live computer music Sergi Jordà

　6. Algorithmic composition Karlheinz Essl

　7. Live audiovisuals Amy Alexander and Nick Collins

　8. Network music Julian Rohrhuber

　9. Electronic music and the moving image Julio d'Escriván

　10. Musical robots and listening machines Nick Collins

　Artists' Statements II:

　　Kevin Saundersonhg

　　Kanta HorioDonna Hewitt

　　Alejandro Vinao

　　Bubblyfish

　　Barry Truax

　　Lukas Ligeti (Burkina Electric)

　　Christina Kubisch

　　Murat Ertel

　　Adina Izarra

　　Cybork

　　Francis Dhomont

　　David Behrmann

　　Kevin Blechdom (Kristin Erickson)

　　Karlheinz Stockhausen

　　George E. Lewis

Part III. Analysis and Synthesis:

　11. Computer generation and manipulation of sounds Stefania

Serafin

　12. The psychology of electronic music Petri Toiviainen

　13. Trends in electroacoustic composition Natasha Barrett

Notes

References

Index

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书籍介绍

Electronic music underwrites most contemporary music via recording studios, digital downloads, synthesisers, sequencers and sound editors, effects processing, and a host of other technological and stylistic innovations. This book explores the musics most associated with electronics, and provides exciting views into the current scene and the historical movements.