The Cambridge Companion to Performance Studies（ISBN=9780521696265） mobi 下载 网盘 caj lrf pdf txt 阿里云

Since the turn of the century, Performance Studies has emerged

as an increasingly vibrant discipline. Its concerns – embodiment,

ethical research and social change – are held in common with many

other fields, however a unique combination of methods and

applications is used in exploration of the discipline. Bridging

live art practices – theatre, performance art and dance – with

technological media, and social sciences with humanities, it is

truly hybrid and experimental in its techniques. This Companion

brings together specially commissioned essays from leading scholars

who reflect on their own experiences in Performance Studies and the

possibilities this offers to representations of identity,

self-and-other, and communities. Theories which have been absorbed

into the field are applied to compelling topics in current

academic, artistic and community settings. The collection is

designed to reflect the diversity of outlooks and provide a guide

for students as well as scholars seeking a perspective on research

trends.

Introduction: The pirouette, detour, revolution, deflection,

deviation, tack, and yaw of the performative turn Tracy C.

Davis

Part I. Social polities: history in individuals: 1. Performance and

democracy Nicholas Ridout

2. Performance as research: live events and documents Baz

Kershaw

3. Movement's contagion: the kinesthetic impact of performance

Susan Leigh Foster

4. Performance matters: Bali and Baliology in the years of living

dangerously John Emigh

5. Universal experience: the city as tourist stage Susan

Bennett

6. Performance and intangible culture heritage Diana Taylor

Part II. Body politics: the individual in history

7. Live and technologically mediated performance Philip

Auslander

8. Moving histories: performance and oral history Della

Pollock

9. What is the 'social' in social practice?: comparing experiments

in performance Shannon Jackson

10. Live art in art history: a paradox? Amelia Jones

11. Queer theory E. Patrick Johnson

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书籍介绍

Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.