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Paula Rego: Behind the Scenes offers the reader a unique opportunity to observe the studio life and working practice of one of the most important figurative artists working today. In 1994 Paula Rego moved to her own studio in Camden, North London. The space and freedom that this move allowed her had a dramatic effect on the way she works, changing her preparations, models, method, and technique. This new title features many never-before-seen personal photographs of Rego at work, and sheds new light on some of her best-known pieces.

作者简介：John McEwen, art critic for the Sunday Telegraph, writes extensively on twentieth century art for many journals and publications. As art critic for the Spectator during the early 1980s, he was among the most enthusiastic champions of Paula Rego's first solo exhibitions in England. He has remained a close friend and confidante of the artist ever since. His books include Phaidon's successful monograph Paula Rego. He lives in London.

Introduction

Part I: In the Playroom

Dog Woman

Moth and Bride

Part 2: Telling Tales

The Ostriches

Snow White

The Bullfighter's Apprentice

Father A maro

Untitled

After Hogarth

The Wedding Guest

The Interrogator's Garden

Convulsion, Cberi and The Dybbuk

Wide Sargasso Sea and Celestina's House

Nossa Senhora

Misericordia

Part 3: Metamorphosis

Jane Eyre

Metamorphosing after Kafka

Little Red Riding Hood

Olga

La Fete, The Little Mermaid and Cake Woman

War

Part 4: Scene Setting

The Pillowman

The Aunt

Turtle Hands and Girl with a Foetus

Prince Pig and Scarecrow and the Pig

The Fisherman

The Shakespeare Room

Vanitas

The Muses

Honour and Human Cargo

Notes and Chronology

Index of Works

Index

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书籍介绍

Paula Rego (born in Lisbon, Portugal, 1935) is one of the most important figurative painters working today and this new volume is the first ever to explore her working practice. When Paula took on her own studio in 1994, the increased space and freedom had a dramatic impact not only on her final works but also on her preparations, models, method and technique. Not only was the artist free to begin using a regular cast of live models, but also she began to create the handmade models of wild and imaginary creatures that frequently appear in her work. The pieces are sometimes made by Paula but more often by her friends and family, including her son-in-law, the sculptor Ron Mueck. In addition to unseen views of the stage sets and models that Paula builds, this new book contains many previously unpublished images of the artist at work, her models and her preparatory drawings and studies, which provide a fascinating behind-the-scenes view of some of her finest works.Since 1994 Rego has also achieved ever more increasing international respect, reputation and influence. This new book will demonstrate her methods and techniques, but will also maintain an accessible and anecdotal text, as befits the artist's dependence on stories. The book is not so much a technical manual, but an investigation of how Rego arrives at a finished work. It will serve as a complement to the existing monograph, offering readers the chance to deepen their knowledge of Rego's art through the plots she devises and the collaborations she enters into with her favorite models, the props she collects and the elaborate scenes that she erects. In so doing it will also show her affinity with younger artists who have in recent years achieved international success by adopting a figurative and story-based approach in a variety of art forms - installation, video, photography, sculpture and painting.Rego's work is owned by many international institutions including, among many others, Tate Modern, London; National Portrait Gallery, London; Leeds City Art Gallery; Kemper Museum of Contemporary Art, Kansas City; New Hall Art Collection, University of Cambridge; Saatchi Gallery, London.Paula Rego was short listed for the Turner Prize in 1989.