中华之美丛书：中国文学（英） mobi 下载 网盘 caj lrf pdf txt 阿里云

“中华之美”丛书围绕中华优秀传统文化这一主题，择取其中15个专题分别加以介绍。这15个专题，包括以思想、智慧、艺术为主的“无形遗产”，以工艺、器物为主的“有形遗产”，以衣食住行乐为主的“民俗生活”，它们精心构架，有机结合，勾勒出中国文化的一个总体面貌，并反映出“中华文化独一无二的理念、智慧、气度、神韵”。

中国文学的历史至少可以追溯到3000多年前。它包括一脉相承、绵延至20世纪初叶的古代文学，也包括20世纪以来在文学观念、内容、语言诸方面已经发生全方位转型的现当代文学。本书简要介绍了中国文学从古至今数千年的发展历程，并以重点作家作品为中心，帮助读者朋友去感受中国文学的美，并通过文学的视角，去了解文学所关照的中国人的生存状况和内在精神世界。

The history of Chinese literature can be traced to more than 3,000 years ago at least. It includes ancient literature before the early 20th century traceable to the same origin and modern and contemporary literature since the 20th century with fully changed literary concepts, contents and language.This book briefly introduces the course of Chinese literature’s development in the past thousands of years and focuses on key writers’ works to help readers feel the beauty of Chinese literature and learn about the existence and mental world of Chinese people in literary works.

Foreword Overview of the Development of Chinese Ancient Literature Historical Course of Chinese Ancient Literature Main Characteristics of Chinese Ancient Literature Model Essays Prose of Various Pre-Qin Schools of Thought Sima Qian and Records of the Grand Historian Eight Great Prose Masters of the Tang and Song Dynasties Splendid PoetryThe Book of Songs: The First Collection of Poems Qu Yuan: Romantic Lyric Poems Tao Yuanming: A Hermit’s Pastoral Poems Poet Immortal Li Bai Poet Sage Du Fu Bai Juyi and “New Yuefu” Beautiful Ci Poetry Su Shi: Creating a New State of Ci Poetry Li Qingzhao and Graceful and Restrained Ci Poetry Xin Qiji and Bold and Unconstrained Ci Poetry Late Maturity of Drama Great Yuan Drama Writer Guan Hanqing Romance of the West Chamber, a Never-failing Drama Tang Xianzu’s Drama Legends Peak of Novels Historical Novel Romance of the Three Kingdoms Heroic Legend Water Margin Gods and Demons Novel Journey to the West Ghost Novel Strange Stories from a Chinese Studio Masterpiece Dream of the Red Chamber Overview of the Development of Chinese Modern and Contemporary Literature Historical Course of Chinese Modern and Contemporary Literature Main Characteristics of Chinese Modern and Contemporary Literature Modern Novels: Echoes of the Times Lu Xun: Founder of New Literature Ba Jin and His “Torrents Trilogy” Lao She and His Beijing Civil Society Shen Congwen’s World of West Hunan Eileen Chang’s Life Legends Modern Poetry: Looking for Its Own Voice Guo Moruo: Destruction and Creation Xu Zhimo: Crescent Moon Poetry Ai Qing: A Modern Poem Rooted in Earth Mu Dan: Abundance and the Pain of Abundance Modern Stage Plays: Transplantation and Development Cao Yu: Born for DramaTian Han: Drama like Life New Period – New Trends of Poetry The Rise of “Obscure Poetry” Bei Dao: A Rational Poet Gu Cheng: A Fairy Tale Poet Hai Zi: The Catcher in the Rye New Period – Diversified Novels Jia Pingwa and Root-seeking Novels Yu Hua and Vanguard Novels Su Tong and New Historical Novels Mo Yan and Hallucinatory Realism Concluding Remarks: New Trends of Literature in the New Century 

李春雨，文学博士，北京语言大学教授、硕士生导师，主要从事中国现当代文学与文化、汉语国际教育方面的教学和研究。近年来，先后在国内社科核心期刊发表学术论文40余篇，并参与或主持完成多个省部级研究课题。代表性论著有《出版文化与中国文学的现代转型》《北京文化的异域审视》《中国现代文学资料与研究》《曹禺评说七十年》《心灵的憩园——走进巴金的》等。2009—2010年，赴美国西点军校外语系任教，并在日本、新加坡及台湾、香港和澳门等国家和地区进行文化交流。

Li Chunyu, Ph.D., is a professor and M.A. supervisor at Beijing Language and Culture University, mainly engaging in teaching and research of Chinese modern and contemporary literature and culture and international Chinese education. In recent years, she published more than 40 academic essays in domestic core social sciences journals and participated in or completed as person in charge several provincial and departmental research projects. Representative works include Modern Transformation of Publishing Culture and Chinese Literature, Beijing Culture Examined from a Foreign Perspective, Chinese Modern Literary Materials and Research, Comments on Cao Yu in 70 Years, Resting Place for Spirit – Approaching Ba Jin’s The Family, etc. 

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前言

On October 11, 2012, the Swedish Academy awarded that year’s Nobel Prize in Literature to Chinese writer Mo Yan. For the development of Chinese literature, this event cannot be underestimated. Mo Yan became the first Chinese writer to win the Nobel Prize in Literature, and ended China’s history of winning no Nobel Prize in Literature. This shows that Chinese literature is going global and gradually winning attention and recognition of world literature from a special angle. The prize won this time not only made a dream of Chinese literary circles come true, but also made Chinese people treat the “Nobel Prize” calmly. Meanwhile, Chinese literature also strengthened reflection on its development. According to Nobel Committee’s prize announcement, Mo Yan in his novels “with hallucinatory realism merges folk tales, history and the contemporary,” and his reflection on history and analysis of human nature moved not only Chinese people, but also readers in other countries. This shows that the literature that can transcend time and national boundaries is the literature focusing on real life and writing about people’s souls instead of the literature expressing political views or catering to the book market and consumption culture. Apart from Mo Yan, many contemporary Chinese writers with unique personalities have creative strength and potential such as Jia Pingwa, Chen Zhongshi, Wang Anyi, Yu Hua, Su Tong, Liu Zhenyun, Bi Feiyu and Chi Zijian. Their works contain different perceptions of life, and build their spiritual homes from different perspectives. There are also a lot of overseas readers of their works. In view of the remoter history, Chinese literature can at least be traced to more than 3,000 years ago. From that time to the early 20th century, Chinese ancient literature came down in one continuous line, lasted thousands of years, nourished the souls of Chinese people of all generations, and established the Chinese nation’s cultural identity. In the early 20th century, all-round transformation of Chinese literature took place, including literary concepts, contents and language and even the relationship with world literature. Thus Chinese literature entered a new stage. In the new century, with the continuous enhancement of China’s overall strength and gradual improvement of China’s international status, more and more people began to pay attention to China. The deepening of China’s reform and opening up also promoted exchange between China and the world, laying a good foundation for Chinese literature to further go global. As an important component of Chinese culture, Chinese literature enters the arena of world literature and merges with world culture continuously. Literature carries China’s profound history, reflects the complex and changeful reality of today’s Chinese society, and embodies Chinese people’s dream of a better future. Literature is the best spiritual garden for communication between China and the world. Manifesting the whole world’s common concerns and displaying the whole mankind’s human feelings and human nature should be Chinese literature’s responsibilities.Since ancient times, this has been a tradition of Chinese literature.