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Walter Benjamin observed in his writings on the interior that 'to live means to leave traces.' This interior design theory reader focuses on just how such traces might manifest themselves. In order to explore interior design's links to other disciplines, the selected texts reflect a wide range of interests extending beyond the traditional confines of design and architecture. It is conceived as a matrix, which intersects social, political, psychological, philosophical, technological and gender discourse, with practice issues, such as materials, lighting, colour, furnishing, and the body. The anthology presents a complex and sometimes conflicting terrain, while also creating a distinct body of knowledge particular to the interior. Locating theory on the interior through these multifarious sources, it encourages future discourse in an area often marginalised but now emerging in its own right.

Within the reader individual excerpts are referenced to their place in the matrix and sequenced alphabetically. This organising strategy resists both a chronological and themed structure in order to provoke associations and inferences between excerpts. In this way the book offers the possibility of examining the interior from multiple vantage points: a disciplinary focus, the spatial and physical attributes of interiors, historical sequence, and topical issue based. Excerpts from Thomas Hope, Catherine E. Beecher and Harriet Beecher Stowe, Edith Wharton and Charles Eastlake provide contemporary nineteenth century accounts as the profession emerges, whereas Barbara Penner, Penny Sparke, Charles Rice, Georges Teyssot and Rebecca Houze offer re-interpretations of this period. The complexities of the twentieth-century interior are revealed by Robyn Longhurst, Kevin Melchionne, George Wagner, John Macgregor Wise, Joel Sanders and many others.

Proximities Mark Taylor and Julieanna Preston

Matrix Key

The Partition of Space

The Dialectics of Outside and Inside

The Sterility of Perfection + The Rule Breaker’s Success

Chromophobia

Structures of Atmosphere

A Christian House

Thick Edge: Architectural Boundaries and Spatial Flows

A Wall of Books: The Gender of Natural Colors in Modern Architecture

A House for Josephine Baker

Bodies and Mirrors

Movement and Myth: the Schröder House and Transformable Living

Spatial Stories

Suitability, Simplicity and Proportion

On the Means by which Repose is Attainable in Decoration

Volatile Architectures

Thing-Shapes

The Dining Room

Men’s Room

‘Decorators May be Compared to Doctors’

Berggasse 19: Inside Freud’s Office

Toward a Feminist Poetics: Infection in the Sentence

Woman’s Domestic Body

Notes on Digital Nesting: a Poetics of Evolutionary Form

Faith and Virtuality: A Brief History of Virtual Reality

Thinking of Gadamer’s Floor

Buildings and their Genotypes

Household Furniture and Interior Decoration

From Wiener Kunst im Hause to the Wiener Werkstätte

Wherever I Lay My Girlfriend, That’s My Home

Interiors: Nineteenth-Century Essays on the ‘Masculine’ and the ‘Feminine’ Room

Tables, Chairs, and Other Machines for Thinking

On the Loss of (Dark) Inside Space

Social, Spatial and Temporal Factors

Wiener Wohnkultur: Interior Design in Vienna, 1910–1930

(Re)presenting Shopping Centres and Bodies: Questions of Pregnancy

The Tyranny of Taste

Streamlining: The Aesthetics of Waste

The Architecture of Manners: Henry James, Edith Wharton and The Mount

‘House Beautiful’: Style and Consumption in the Home

Living in Glass Houses

Dust

Colour and Method

Ordering the World: Perceptions of Architecture, Space and Time

A World of Unmentionable Suffering

The Apartment

A Kitchen as a Place to Be

Making Charleston (1916–17)

The Clubs of StJames’s: Places of Public Patriarchy

Rethinking Histories of the Interior

Designing the Dinner Party

‘Hi Honey, I’m Home’

Curtain Wars

Productions of Incarceration: The Architecture of Daniel Paul Schreber

Ornament and Order

‘The Things that Surround One’

Decorating Culture

In Praise of Shadows

Architecture and Interior: A Roam of One’s Own

Boredom and Bedroom: The Suppression of the Habitual

Visitors

The Chic Interior and the Feminine Modern

Inside Fear: Secret Places and Hidden Spaces in Dwellings

The Pleasure of Architecture

Domestic Doyennes: Purveyors of Atmospheres Spoken and Visual

The Lair of the Bachelor

Ultrasuede

The Historical Tradition

Home: Territory and Identity

The Material Value of Color: The Estate Agent’s Tale

Index

Julieanna Preston is a Senior Lecturer of Interior Design at the College of Creative Arts, Massey University, Wellington, New Zealand. This book extends her interdisciplinary practice and commitment to further developing interior design as a spatial art a

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书籍介绍

Walter Benjamin observed in his writings on the interior that 'to live means to leave traces.' This interior design theory reader focuses on just how such traces might manifest themselves. In order to explore interior design's links to other disciplines, the selected texts reflect a wide range of interests extending beyond the traditional confines of design and architecture. It is conceived as a matrix, which intersects social, political, psychological, philosophical, technological and gender discourse, with practice issues, such as materials, lighting, colour, furnishing, and the body. The anthology presents a complex and sometimes conflicting terrain, while also creating a distinct body of knowledge particular to the interior. Locating theory on the interior through these multifarious sources, it encourages future discourse in an area often marginalised but now emerging in its own right. Within the reader individual excerpts are referenced to their place in the matrix and sequenced alphabetically. This organising strategy resists both a chronological and themed structure in order to provoke associations and inferences between excerpts. In this way the book offers the possibility of examining the interior from multiple vantage points: a disciplinary focus, the spatial and physical attributes of interiors, historical sequence, and topical issue based. Excerpts from Thomas Hope, Catherine E. Beecher and Harriet Beecher Stowe, Edith Wharton and Charles Eastlake provide contemporary nineteenth century accounts as the profession emerges, whereas Barbara Penner, Penny Sparke, Charles Rice, Georges Teyssot and Rebecca Houze offer re-interpretations of this period. The complexities of the twentieth-century interior are revealed by Robyn Longhurst, Kevin Melchionne, George Wagner, John Macgregor Wise, Joel Sanders and many others.