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　　Greek lyric poetry encompassed a wide range of types of poem,

from elegy to iambos and dithyramb to epinician. It particularly

flourished in the Archaic and Classical periods, and some of its

practitioners, such as Sappho and Pindar, had significant cultural

influence in subsequent centuries down to the present day. This

Companion provides an accessible introduction to this fascinating

and diverse body of poetry and its later reception. It takes

account of the exciting new papyrus finds and new critical

approaches which have greatly advanced our understanding of both

the corpus itself and of the sociocultural contexts in which lyric

pieces were produced, performed and transmitted. Each chapter is

provided with a guide to further reading, and the volume includes a

chronology, glossary and guide to editions and translations.

List of illustrations and maps

Notes on Contributors

Preface

Citations, abbreviations and transliteration

Introducing Greek lyric

Part I  Contexts and Topics

　1　Genre, occasion and performance

　2　Greek lyric and the politics and sociologies of archaic and

classical Greek communities

　3　Greek lyric and gender

　4　Greek lyric and the place of humans in the world

　5　Greek lyric and early Greek literary history

　6　Language and pragmatics

　7　Metre and music

Part II  Poets and Traditions

　8　Iambos

　9　Elegy

　10　Alcman, Stesichorus and Ibycus

　11　Alcaeus and Sappho

　12　Anacreon and the Anacreontea

　13　Simonides, Pindar and Bacchylides

　14　Ancient Greek popular song

　15　Timotheus the New Musician

Part III  Reception

　16　Lyric in the Hellenistic period and beyond

　17　Lyric in Rome

　18　Greek lyric from the Renaissance to the eighteenth

century

　19　Sappho and Pindar in the nineteenth and twentieth

centuries

Epilogue

　20　Lyric and lyrics: perspectives, ancient and modern

Chronology of select melic, elegiac and iambic poets

Editions, commentaries, English translations, lexica,

bibliographies

Glossary

List of works cited

Index

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