【中商原版】摩西奶奶画册 英文原版 Grandma Moses: American Modern mobi 下载 网盘 caj lrf pdf txt 阿里云

A long-overdue reexamination of beloved American artist Grandma Moses, restoring her rightful place within the canon of mid-century American Art. One of the best-known artists of her time, and a true American legend, Anna Mary Robertson "Grandma" Moses (1860–1961) was often marginalized as a latter-day "folk" painter or a phenomenon of popular media. Accompanying a traveling exhibition, this new book looks closely at the paintings themselves and the artist’s compelling biography to reassert her role in the development of a culture of modernist art at mid-century. Presenting fresh research, several scholars examine Moses’s name, public persona, painted world, and wildly popular place in American pop culture; address the myth of the self-taught artist; and contextualize her work alongside such contemporaries as Horace Pippin, Elie Nadelman, Yasuo Kuniyoshi, and Morris Hirshfield.

暂无相关目录，正在全力查找中！

Thomas Denenberg is the director of the Shelburne Museum.

Robert Wolterstorff is the director and Jamie Franklin is curator at the Bennington Museum.

Diana Korzenik is professor emerita at the Massachusetts College of Art.

Alexander Nemerov is professor of art history at Stanford University.

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：【中商原版】摩西奶奶画册 英文原版 Grandma Moses: American Modern在线阅读

在线听书地址：【中商原版】摩西奶奶画册 英文原版 Grandma Moses: American Modern在线收听

在线购买地址：【中商原版】摩西奶奶画册 英文原版 Grandma Moses: American Modern在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

A long-overdue reexamination of beloved American artist Grandma Moses, restoring her rightful place within the canon of mid-century American Art. One of the best-known artists of her time, and a true American legend, Anna Mary Robertson "Grandma" Moses (1860–1961) was often marginalized as a latter-day "folk" painter or a phenomenon of popular media. Accompanying a traveling exhibition, this new book looks closely at the paintings themselves and the artist’s compelling biography to reassert her role in the development of a culture of modernist art at mid-century. Presenting fresh research, several scholars examine Moses’s name, public persona, painted world, and wildly popular place in American pop culture; address the myth of the self-taught artist; and contextualize her work alongside such contemporaries as Horace Pippin, Elie Nadelman, Yasuo Kuniyoshi, and Morris Hirshfield.